Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación



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Catálogo: departamentos -> filologia inglesa -> garciala -> bibliography -> Subjects -> 5.Aesthetics -> Aesthetic.categories
Subjects -> A bibliography of Literary Theory, Criticism and Philology
Aesthetic.categories -> Identification

from

A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)




Beauty

Early works

General/Artistic beauty

Beauty and the Beast

Beauty contests

Human beauty

Intellectual beauty

Natural beauty



Early works
Arteaga, Esteban de. Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación. Madrid: Antonio de Sancha, 1789. In Obra completa castellana: La belleza Ideal. Escritos Menores. Ed. Miguel Battlori. 3rd ed. Madrid: Espasa-Calpe, 1972. 3-156.

_____. La belleza ideal. Ed. Miguel Batllori. Madrid: Espasa-Calpe.

_____. Obra completa castellana: La belleza Ideal. Escritos Menores. Ed. Miguel Battlori. 3rd ed. Madrid: Espasa-Calpe, 1972.*

Brooke, Henry. Universal Beauty. Philosophical poem. 1735.

Burke, Edmund. Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. London: R. and J. Dodsley, 1757.

_____. A Philosophical Enquiry into the Origin of Our Ideas. . . with the Discourse on Taste added. 1759.

_____. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. In Burke, Works. London: 1899. Vol. 1.

_____. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Ed. J. T. Boulton. Notre Dame: U of Notre Dame P, 1958.

_____. A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. Select. in Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971. 303-312.*

_____. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. Adam Phillips. (World's Classics). Oxford: Oxford UP, 1990.*

_____. From A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. (Introduction: "On Taste"; VII, "Of the Sublime"; XXVII "The Sublime and Beautiful Compared"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. Indagación filosófica sobre el origen de nuestras ideas acerca de lo sublime y lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio López Férez. Madrid: Tecnos, 1987.

_____. De lo sublime y de lo bello. Ed. and trans. Menene Gras Balaguer. With Juan Antonio López Férez. Barcelona: Altaya, 1995.*

Diderot, Denis. Recherches philosophiques sur l'origine et la nature du beau. In Diderot, Oeuvres esthétiques. Ed. Pierre Vernière. Paris: Garnier, 1988. 387-438.*

Emerson, Ralph Waldo. "La belleza." 1856. In Emerson, Escritos de estética y poética. Ed. and trans. Ricardo Miguel Alfonso. Málaga: Universidad de Málaga, 2000. 105-16.*

Ficino, Marsilio. De amore. 1484. (Commentary on Plato's Symposium).

_____. Commentary on Plato's Symposium. Trans. Sears Reynolds Jayne. In Philosophies of Art and Beauty. Ed. Hofstadter and Kuhns. Chicago: U of Chicago P, 1964.

Hegel, G. W. F. Vorlesungen über die Aesthetik. 1835.

_____. Ästhetik. Berlin, 1965.

_____. Vorlesungen über die Aesthetik. 1835. In Hegel, Werke in zwanzig Bänden. Ed. E. Moldenhauer and K. M. Michel. Frankfurt a/M, 1970. Vol. 13.

_____. The Introduction to Hegel’s Philosophy of Fine Art. Trans. Bernard Bosanquet. London, 1886.

_____. The Philosophy of Fine Art. Trans. F. P. B. Osmaston. London: G. Bell and Sons, 1920.

_____. Esthetics. Trans. T. M. Knox. Oxford: Clarendon, 1975.

_____. Aesthetics: Lectures on Fine Art. Trans. T. M. Knox.  New York, 1975.

_____. Esthétique. Trans. S. Jankélévitch. Paris: Aubier, 1954.

_____. Estética. 1835. Buenos Aires: El Ateneo, 1954.

_____. Introducción a la estética. Trans. Ricardo Mazo. Barcelona: Península, 1985.

_____. Introducción a la estética. Ediciones de Bolsillo.

_____. De lo bello y sus formas. Buenos Aires: Espasa-Calpe, 1958.

_____. Filosofía del arte o Estética [verano de 1826]. Apuntes de Friedrich Carl Hermann Victor von Kehler. Ed. Annemarie Gethmann-Siefert and Bernadette Collenberg-Plotnikov. With Francesca Ianelli and Karsten Berr. Trans. Domingo Hernández Sánchez. (Lecturas de Filosofía). Madrid: Abada / UAM, 2006.* (Aesthetics, Beauty, Function of art, Symbols, Classicism, Romanticism, Ideal, Unity, Subjectivity, Art and spirituality, Architecture, Sculpture, Painting, Music, Poetry).

Hutcheson, Francis. An Inquiry into the Original of Our Ideas of Beauty and Virtue. New York: AMS Press, 1978.

_____. Una investigación sobre el origen de nuestra idea de belleza. Ed. and trans. Jorge V. Arregui. Madrid: Tecnos, 1992. (1st part of An Inquiry...)

Jungmann, José. La belleza y las bellas artes según las doctrinas de la filosofía socrática y de la cristiana. Trans. Juan M. Orti y Lara. Madrid: Pascual Conosa, 1873.

Kant, Immanuel. Observations on the Feeling of the Beautiful and Sublime. Selection. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 381-404.*

_____. Observaciones acerca del sentimiento de lo bello y lo sublime. Madrid: Alianza, 1990. Trans. of Beobachtungen über das Gefühl des Schönen und Erhabenen. Königsberg: Kanter, 1764.

_____. Kritik der Urteilskraft. 1790. (Beauty, Taste, Perfection, Emotion, Agreeable, Pleasure, Judgment, Universality, Sublimity, Satisfaction, Nature, Aesthetics, Objectivity, Sensations, Common sense, Art, Genius, Teleology, Antinomies, Understanding, Universe; Theology, God)

_____. Kritik der Urtheilskraft. In Kantswerke, Akademie-Textausgabe, V.

_____. Kritik der Urteilskraft. Stuttgart, 1924.

_____. Kritik der Urteilskraft. Hamburg: Felix Meiner, 1974.

_____. Kritik der Urteilskraft. In Werkausgabe vol. 10. Ed. Wilhelm Weischedel. Frankfurt a/M, 1979.

_____. Critique of Judgment. Trans. J. H. Bernard. 2nd. ed. London, 1914. 1931.

_____. Critique of Judgment. Trans. J. H. Bernard. New York: Hafner, 1951. 1966.

_____. Critique of Judgment. Trans. Werner S. Pluhar. Indianapolis: Hackett, 1987.

_____. Critique of Judgment. Excerpt. In Deconstruction in Context. Ed. Mark C. Taylor. Chicago: U of Chicago P, 1986. 35-66.*

_____. The Critique of Judgement. Trans. James Creed Meredith. Oxford: Clarendon, 1988.

_____. Critique of the Power of Judgment. Trans. and ed. Paul Guyer and Eric Matthews. Cambridge, UK and New York: Cambridge UP, 2000.

_____. Crítica del Juicio. Madrid: Espasa-Calpe, 1984.*

Hogarth, William. Analysis of Beauty. Essay. 1753.

_____. The Analysis of Beauty, with the Rejected Passages from the Manuscript Drafts and Autobiographical Notes. Ed. Joseph Burke. Oxford, 1955.

Lévêque, Charles. Estética o ciencia de lo bello. Trans. Santos Santamaría del Pino. Valladolid: Hijos de Rodríguez, 1878.

Moritz, K. Ph. Von der bildenden Nachahmung des Schönen. 1788.

Plato. Phaedrus. Trans. W. C. Helmhold and W. G. Rabinowitz. Indianapolis: Bobbs-Merrill, 1956.*

_____. Phaedrus. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. In Obras completas. Madrid: Aguilar, 1977.*

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. Madrid: Aguilar, 1989.*

_____. Fedro. In Plato, Diálogos III: Fedón – Banquete – Fedro. Introd., trans. and notes by C. García Gual, M. Martínez Hernández, E. Lledó Íñigo. Madrid: Gredos, 1982. Rpt. (Biblioteca Gredos). Barcelona: RBA, 2007. 287-409.*

_____. (Platón). Fedro. Trans. and notes by Emilio Lledó Íñigo. In Plato, Diálogos. (Grandes Pensadores Gredos; Platón, I). Barcelona: RBA, 2010. 767-841.*

_____. Sophist: Part II of The Being of the Beautiful Ed. and trans. Seth Bernardete. Chicago: U of Chicago P, 1986.*

Plotinus. Du Beau: Ennéades I,6 et V,8. Ed. and trans. Paul Mathias. Paris: Presses Pocket, 1991.

_____. From Enneads (5.8—"On the Intellectual Beauty"). In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "Enéda I, 6 (1). Sobre la Belleza." In Plotino: Vida de Plotino por Porfirio. Enéadas (I-III). Introd. Ignacio Guiu. (Grandes Pensadores Gredos; Plotino, I). Madrid: Gredos, 2015. Rpt. Barcelona: RBA Coleccionables, 2016. 91-103.*

Romei, Hannibal (Count). "Of Beauty." Ch. 1 of Romei, Courtier's Academy. 1546. Trans. I. K. 1598.

Schopenhauer, Arthur. Die Welt als Wille und Vorstellung. 1819. (Existence, World, Plato, Kant, Upanishads, Knowledge, Idealism, Causality, Brain, Metaphysics, Will, Perception, Consciousness, Body, Freedom, Life, Strife, Aesthetics, Beauty, Ethics).

_____. The World as Will and Representation.  Trans. E. F. J. Payne. 2 vols. New York: Dover, 1969.

_____. El mundo como voluntad y representación. Introd. E. Friedrich Sauer. Trans. E. Ovejero y Maury. México: Porrúa, 1987.

_____. El mundo como voluntad y representación. Introd. Ignasi Roviró Alemany. Barcelona: RBA, 2004.

_____. El mundo como voluntad y representación (volumen primero). Trans. Rafael-José Díaz Fernández and Mª Montserrat Armas Concepción. Introd. Luis Fernando Moreno Claros. (Grandes Pensadores Gredos). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014.*

Solger, Friedrich. Erwin: Vier Gespräche über das Schöne und die Kunst. Leipzig, 1829.

Winckelmann, Johann Joachim. Gedanken über die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. 1754. Ed. Ludwig Uhlig. Stuttgart: Reklam, 1969.

_____. Reflexiones sobre la imitación del arte griego en la pintura y la escultura. Ed. Ludwig Uhlig. Trans. Vicente Jarque. Barcelona: Península, 1987.



General
Beardsley, Monroe C. "Aesthetic Value." (26. The Beauty Theory. 27. Psychological Definitions. 28. The Instrumentalist Theory). In Beardsley, Aesthetics: Problems in the Philosophy of Criticism. 2nd ed. Indianapolis: Hackett, 1981. 500-56.*

Becker, O. "Die Hinfälligkeit des Schönen und die Abenteurlichkeit des Künstlers." Husserl -Festschrift. 1928.

Bridges, Robert. The Testament of Beauty. Oxford: Oxford UP, 1929.

Carritt, E. F. Philosophies of Beauty from Socrates to Robert Bridges. Oxford, 1931. 5th ed. London, 1934.

Croce, Benedetto. "Asthetic Feelings and the Distinction between the Beautiful and the Ugly." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 74-81.*

Dutton, Denis. The Art Instinct: Beauty, Pleasure, and Human Evolution. Bloomsbury, 2009; Oxford: Oxford UP, 2009.

Eco, Umberto, gen. ed. Storia della Bellezza. Milan: Bompiani.

_____, gen. ed. Bellezza: Storia di un'idea dell' occidente. CD-ROM. Motta on Line, 2002.

_____, gen. ed. Storia dell bellezza. Texts by Umberto Eco and Girolamo de Michele.Milan: RCS Libri, Bompiani, 2002. (From the CD-ROM).

_____, gen. ed. Historia de la belleza. Trans. Maria Pons Irazazábal. Barcelona: Lumen, 2004.

Farré, Luis. "La belleza." In Farré, Categorías estéticas. Madrid: Aguilar, 1967. 32-45.*

Fernández Cabaleiro, Begoña. "El concepto de belleza en la obra y pensamiento de Picasso." Stvdivm 6 (1999): 75-92.*

Gadamer, Hans-Georg. "2. La subjetización de la estética por la crítica kantiana." In Gadamer, Verdad y método: Fundamentos de una hermenéutica filosófica. Trans. Ana Agud Aparicio and Rafael de Agapito. (Trans. of 4th ed.). Salamanca: Sígueme, 1977.* (La doctrina Kantiana del gusto y del genio: La cualificación trascendental del gusto, La teoría de la belleza libre y dependiente, La teoría del ideal de la belleza, El interés por lo bello en la naturaleza y en el arte, La relación entre gusto y genio. La estética del genio y el concepto de vivencia: El paso a primer plano del concepto de genio, Sobre la historia del término "vivencia", El concepto de vivencia. Los límites del arte vivencial. Rehabilitación de la alegoría.).

_____. La actualidad de lo bello: El arte como juego, símbolo y fiesta. Barcelon: Paidós Ibérica, 1991.

García Landa, José Ángel. "Belleza, interacción e ideología." In García Landa, Vanity Fea 23 Jan. 2008

http://garciala.blogia.com/2008/012302-belleza-interaccion-e-ideologia.php

2008

Gardner, Howard. Verdad, belleza y bondad reformuladas. Barcelona: Paidós, 2011.



Hinojo Andrés, Gregorio. "El adjetivo formosvs en la poesía clásica." In Otivm cvm dignitate: Estudios en homenaje al profesor José Javier Iso Echegoyen. Ed. J. A. Beltrán et al. (Monografías de Filología Latina, 16). Zaragoza: Universidad de Zaragoza, 2013. 295-303.*

Hofstadter and Kuhns, eds. Philosophies of Art and Beauty. Chicago: U of Chicago P, 1964.

Kaufmann, Fritz. Das Reich des Schönen: Bausteine zu einer Philosophie der Kunst. Ed. H. G. Gadamer. Stuttgart: Kohlhammer, 1960.

Koebner, R. and G. Vom Schönen und seiner Wahrheit. 1957.

Kogan, Jacobo. "Belleza y ritmo." In Kogan, El lenguaje del arte: Psicología y sociología del arte. Buenos Aires: Paidós, 1965. 45-53.*

Lee, Vernon. The Beautiful. Cambridge, 1913.

Mauron, Charles. The Nature of Beauty in Art and Literature. London: Hogarth Press, 1928.

Mellor, Anne K. "Exhausting the Beautiful." In Mellor, Romanticism and Gender. London: Routledge, 1993. 107-43.*

Mlodinow, Leonard. Feynman's Rainbow: A Search for Beauty in Physics and in Life.

Murdoch, Iris. "The Sublime and the Beautiful Revisited." Yale Review  49 (1959).

Parkhurst, Helen. Beauty: An Interpretation of Art and the Imaginative Life.

Puffer, Ethel D. Psychology of Beauty. 1905.

Santayana, George. The Sense of Beauty. 1896. New York: Dover, 1955. 1970.

_____. "The Nature of Beauty". From The Sense of Beauty. Rpt. in H. Critical Theory since Plato. Ed. H. Adams. San Diego: Harcourt, 695-706.*

Saranyana, Josep-Ignasi. "Estética tomasiana y estética musulmana plenomedievales. A propósito del pulchrum." Revista Española de Filosofía Medieval 10 (2003): 303-11.*

Sircello, Guy. A New Theory of Beauty. Princeton, 1975.

_____. "Beauty and Sex." In Body, Mind, and Method. Ed. D. F. Gustafson and B. L. Tapscott. Dordrecht: Reidel, 1979. 225-39.

_____. "Beauty and Sex." In The Philosophy of Sex. Ed. Alan Soble. Savage (MD): Rowman and Littlefield, 1991. 117-32.*

Stace, Walter T. The Meaning of Beauty. London, 1929.

Stanco, Michele. "Art and Beauty. Linguistic versus Psychological Aesthetic Theories." RANAM (Recherches Anglaises et Nord Américaines), 36.1 (2003): 47-68.*

Stewart, Ian. Why Beauty Is Truth: A History of Symmetry. Perseus Books Group, 2007.

Tatarkiewicz, Wladislaw. Historia de seis ideas: Arte, belleza, forma, creatividad, mímesis, experiencia estética. Trans. Francisco Rodríguez Marín. Madrid: Tecnos, 1987. Trans. of Dzieje szesciu pojec. Warsaw: Panstwowe Wydawnictwo Naukowe, 1975.*

Tooby, John, and Leda Cosmides. "Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts." SubStance 30 (2001): 6-27.

_____. "14. Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts." 2001. In Evolution, Literature and Film: A Reader. Ed. Brian Boyd, Joseph Carroll and Jonathan Gottschall. New York: Columbia UP, 2010. 174-83.*

Trías, Eugenio. Lo bello y lo siniestro. 1982.

_____. "Lo bello y lo siniestro." 1982. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 867-73.*

Wenkart, Henny. "Santayana on Beauty." In The Philosophical Reflection of Man on Literature. Ed. Anna-Teresa Tymieniecka. Dordrecht: Reidel, 1982. 321-26.

White, Curtis. "I am an Artist; I Make Beautiful Things: A Credo of Sorts Concerning the New Beauty." The Review of Contemporary Fiction 18.2 (1998): 37-46.

Yeats, W. B. "The Fascination of What's Beautiful." 1910. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2098.*

Voltaire. "Bello, Belleza." From Diccionario Filosófico. In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 198-99.*

Anthologies

Roe, John, and Michele Stanco, eds. Inspiration and Technique. Ancient to Modern Views on Beauty and Art. Bern: Peter Lang, 2007.

Literature
Bruckner, Pascal. Los ladrones de belleza. Novel. (Andanzas 351). Barcelona: Tusquets. (Prix Renaudot 1997).

Stapledon, Olaf. Poems: "God the Artist," "Creator Creatus," "A Prophet's Tragedy," "The Good," "Revolt Against Death," "The Unknown," "Futility," "The Relativity of Beauty"). In Poets of Merseyside: An Anthology of Present-Day Liverpool Poets. Ed. S. Fowler Wright. London: Merton Press, 1923.


Video


Tagliaferro, Rino Stefano. Beauty. Online video. (Animated paintings).

http://www.rinostefanotagliafierro.com/beauty_manifesto.html

2014


Beauty and the Beast
Hearne, Betsy. Beauty and the Beast: Visons and Revisions of an Old Tale. Chicago: Chicago UP, 1989.

Newman, Karen. "'And Wash the Ethiop White': Femininity and the Monstrous in Othello." In Shakespeare Reproduced. Ed. Jean E. Howard and Marion F. O'Connor. New York: Methuen, 1987. 143-62.

_____. "'And Wash the Ethiop White': Femininity and the Monstrous in Othello." In Newman, Fashioning Femininity and English Renaissance Drama. Chicago: U of Chicago P, 1991.

Warner, Marina. From the Beast to the Blonde: On Fairy Tales and their Tellers. London: Chatto, 1994.

_____. From the Beast to the Blonde: On Fairy Tales and Their Tellers. London: Vintage, 1995.

Films
La Belle et la Bête. Film. Cast: Jean Marais, Josette Day, Marcel André. France, 1946. VHS.* (English: Beauty and the Beast).



Beauty and the Beast. Disney.

Literature


Duffy, Carol Ann, and Adrian Henri. Beauty and the Beast. 1977.

Leprince de Beaumont (Mme.). La Belle et la Bête. (Original version).

Shakespeare, William. Othello. many editions.

Villeneuve (Mme.). La Belle et la Bête.


Music
La Belle et la Bête: Bande originale du film version française. Songs written by H. Ashman and A. Menken; music A. Menken. French version by Claude Rigal-Ansous, Charles Aznavour, sung by Charles Aznavour, Liane Foly et al. CD. (Walt Disney Records). France: Disques Adés / Sony Music, 1992.*




Beauty contests
Hanisch, Carol. "A Critique of the Miss American Protest." In Notes from the Second Year: Women's Liberation. New York: Radical Feminism, 1970.

Human beauty
Bacon, Francis. "Of Beauty." In Bacon's Essays. Ed. F. Storr and C. H. Gibson. 3rd ed. London: Longmans, Green, 1891. 360-67.*

Bueno Alonso, Jorge Luis. "The Fair and the Unfair: Renaissance Images and Their Change in Shakespeare's Sonnets." SEDERI VII. Ed. S. G. Fernández-Corugedo et al. Coruña: SEDERI, 1996. 277-86.*

Etcoff, Nancy. Survival of the Prettiest: The Science of Beauty. London: Little, Brown, 1999.

Gould, Stephen Jay. "El ángulo de Petrus Camper." In Gould, "Brontosaurus" y la nalga del ministro. Trans. Joandomènec Ros. (Biblioteca Divulgación Científica). Barcelona: Planeta DeAgostini, 2008. 260-73.* (Petrus Camper, faces, physiognomy).

Hatfield, Elaine, and Susan Sprecher. Mirror, Mirror… : The Importance of Looks in Everyday Life. (SUNY Series in Sexual Behavior). Albany: SUNY Press, 1986. Online ed.:

http://www2.hu-berlin.de/sexology/BIB/HATF2.htm

2007

Irigaray, Luce. "Comment créer notre beauté?" 1988. In Irigaray, Je, tu, nous. 121-26.*



Johnston, Victor. "Marcadores biológicos." Interview. In Eduardo Punset, Cara a cara con la vida, la mente y el Universo: Conversaciones con los grandes científicos de nuestro tiempo. Prologue by Lynn Margulis. 2004. Barcelona: Destino, 2006.* (Hormones, fingers, beauty, sexual dimorphism).

Ortega Sánchez, Isabel. "Negro sobre blanco: El ideal de belleza en el rostro de la mujer japonesa." In Japón y Occidente: Estudios comparados. Ed. Carmen Tirado Robles. Zaragoza: Prensas Universitarias de Zaragoza, 2014. 305-21.*

Perrett, D. I., K. A. May and S. Yoshikawa. "Facial Shape and Judgments of Female Attractiveness." Nature 368 (1994): 239-42.

Sánchez Ferlosio, Rafael. "'Guapo' y sus isótopos." In Sánchez Ferlosio, Altos estudios eclesiásticos: Gramática - Narración - Diversiones. Ed. Ignacio Echevarría. Barcelona: Penguin Random House - Debate, 2016. 315-94.*

Sircello, Guy. Love and Beauty. 1989.

_____. "Beauty and Sex." In The Philosophy of Sex. Ed. Alan Soble. Savage (MD): Rowman and Littlefield, 1991. 117-32.*

Wolf, Naomi. The Beauty Myth: How Images of Beauty are Used Against Women. 1990. London: Vintage, 1991.*

_____. El mito de la belleza. Trans. Lucrecia Moreno et al. Barcelona: Emecé, 1991.*


Films
Dangerous Beauty. Dir. Marshall Herskovitz. Cast: Catherine Mc Cormack, Rufus Sewell, Oliver Pratt, Moira Kelly, Naomi Watts, Fred Ward, Jacqueline Bisset, Jeroen Krabbé, Joanna Cassidy, Melina Kanakaredes, Daniel Lapaine, Justine Miceli, Jake Weber, Simon Dutton, Grant Russell. 1998.



Malèna. Dir. and screenplay by Giuseppe Tornatore. Cast: Monica Bellucci, Giuseppe Sulfaro, Luciano Federico, matilde Piana, Pietro Notarianni, Gaetano Aronica. Panavision. Italy / USA: Medusa Film / Miramax, 2000.*

Literature


Byron (Lord). "She Walks in Beauty." Poem. 1814, pub. 1815.

_____. "She Walks in Beauty." In Byron, Selections from Poetry. Letters & Journals. Ed. Peter Quennell. London: Nonesuch Press, 1949. 163-64.*

_____. "She Walks in Beauty." In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 556-557.*

Hollinghurst, Alan. The Line of Beauty. Novel. (2004 Man Booker Prize).

McDonagh, Martin. The Beauty Queen. In Modern Drama: Plays of the '80s and '90s: Top Girls Caryl Churchill; Hysteria Terry Johnson; Blasted Sarah Kane; Shopping&F***ing Mark Ravenhill; The Beauty Queen, Martin McDonagh. Introd. Graham Whybrow. London: Methuen Drama, 2001.

Swift, Jonathan. "The Progress of Beauty." Poem. In The Writings of Jonathan Swift. Ed. Robert A. Greenberg and William Bowman Piper. (Norton Critical Edition). New York: Norton, 1973. 522-25.*

Music

Mitchum, Robert. "Beauty is only skin-deep." From Calypso Is Like So… YouTube (MusicForYourFunk) 17 Jan. 2010.*



https://youtu.be/bW1auw6w1a0

2017


Intellectual beauty

Plato. Phaedrus. Trans. W. C. Helmhold and W. G. Rabinowitz. Indianapolis: Bobbs-Merrill, 1956.*

_____. Phaedrus. (Penguin 60s Classics). Harmondsworth: Penguin.

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. In Obras completas. Madrid: Aguilar, 1977.*

_____. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. Madrid: Aguilar, 1989.*

_____. Sophist: Part II of The Being of the Beautiful Ed. and trans. Seth Bernardete. Chicago: U of Chicago P, 1986.*

Plotinus. Du Beau: Ennéades I,6 et V,8. Ed. and trans. Paul Mathias. Paris: Presses Pocket, 1991.

Wagensberg, Jorge. El gozo intelectual: teoría y práctica sobre la inteligibilidad y la belleza.


Literature


Drummond, William. "An Hymn on the Fairest Fair." In Drummond, Flowers of Sion, or Spiritual Poems. Edinburgh, 1623.

Shelley, Percy Bysshe. "Hymn to Intellectual Beauty." Poem. 1816, pub. 1817. In Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. (Norton Critical Edition). New York: Norton, 1977. 93-95.*

_____. "Hymn to Intellectual Beauty." In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 723-25.*

Natural Beauty
Croce, Benedetto. "The 'Physically Beautiful' in Nature and in Art." In Croce, Aesthetic. London: Vision Press / Peter Owen, 1967. 94-103.*

Kant, Immanuel. Critique of Judgment.

Kemal, Salim, and Ivan Gaskell. Landscape, Natural Beauty and the Arts. Cambridge: Cambridge UP, 1996.

Schopenhauer, Arthur. "Isolated Remarks on Natural Beauty." In Schopenhauer, The World as Will and Representation.  New York: Dover, 1969. 403-6.*

_____. II.3.5. "Observaciones sueltas sobre la belleza de la naturaleza." In Schopenhauer, El Mundo como Voluntad y Representación (Volumen Segundo). Barcelona: RBA Coleccionables, 2014. 440-42.*

Turner, Frederick. Beauty: The Value of Values. Charlottesville: UP of Virginia, 191.



Wordsworth, William. "Appendix III The Sublime and the Beautiful." 1811. In The Prose Works of William Wordsworth. Oxford: Clarendon Press, 1974.

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