Identification



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Catálogo: departamentos -> filologia inglesa -> garciala -> bibliography -> Subjects -> 5.Aesthetics -> Aesthetic.categories
Subjects -> A bibliography of Literary Theory, Criticism and Philology
Aesthetic.categories -> Investigaciones filosóficas sobre la belleza ideal considerada como objeto de todas las artes de imitación

from

A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Identification


Butler, Judith. "Phantasmatic Identification and the Assumption of Sex." In Butler, Bodies that Matter: On the Discursive Limits of 'Sex'. New York: Routledge, 1993. 9-120.*

Carroll, Noël. "Mass Art and the Emotions." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 245-90.* (Plato, Identification, fiction).

_____. "Mass Art and Morality." In Carroll, A Philosophy of Mass Art. Oxford: Clarendon, 1998. 291-359.* (Identification, simulation).

Diawara, Manthia. "Black Spectatorship: Problems of Identification and Resistance." 1988. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 845-53.*

Freud, Sigmund. Massenpsychologie und Ich-Analyse 1921.

_____. Group Psychology and the Analysis of the Ego. Vol. 18 of The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. James Strachey. London: Hogarth, 1953-74.

_____. Group Psychology and the Analysis of the Ego. New York: Bantam, 1965.

_____. Group Psychology and the Analysis of the Ego. 1921. In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol 18. London: Hogarth Press / Institute of Psycho-Analysis, 1955.

_____. Group Psychology and the Analysis of the Ego. In Freud, Civilization, Society and Religion: Group Psychology, Civilization and Its Discontents and Other Works. Trans. James Strachey et al. Ed. Albert Dickson. (Pelican Freud Library). London: Penguin-Pelican, 1985. Rpt. (Penguin Freud Library, 12). London: Penguin, 1991. 91-178.* (I. Introduction. II. Le Bon's Description of the Group Mind. III. Other Accounts of Collective Mental Life. IV. Suggestion and Libido. V. Two Artificial Groups: The Church and the Army. VI. Further Problems and Lines of Work. VII. Identification. VIII. Being in Love and Hypnosis. IX. The Herd Instinct. X. The Group and the Primal Horde. XI. A Differentiating Grade in the Ego. XII. Postscript).

_____. "L'idéntification." In Freud, Essais de psychanalyse. Paris: Payot, 1970. 126-33.

_____. Psicología de las masas. In Freud,Psicología de las masas. Más allá del principio del placer. El porvenir de una ilusión. Trans. Luis López-Ballesteros y de Torres. 10th ed. Madrid: Alianza, 1984.

Fuery, Patrick. "The Gaze: Masochism, Identification and Phantasy in the Spectator." In Fuery, New Developments in Film Theory. Houndmills: Macmillan, 2000.

Goodman, Lesley. "Rebellious Identification, or, How I Learned to Stop Worrying and Love Arabella." Narrative 18.2 (May 2010): 163-78.*

Gregorio-Godeo, Eduardo de, and Ángel Mateos-Aparicio Martín-Albo, eds. Mapping Identity and Identification Processes: Approaches from Cultural Studies. Bern: Peter Lang, 2013.

Hansen, Miriam. From "Pleasure, Ambivalence, Identification" ("Valentino and Female Spectatorship"). Cinema Journal 25.4 (Summer 1986). Shorter version (1991) in Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 584-601.*

Henning, Tim. Person Sein und Geschichten erzählen. Berlin: Walter de Gruyter, 2009.* Online preview at Google Books.*

http://books.google.es/books?hl=en&lr=&id=DO4hnVNxnuUC

2015


Huyssen, Andreas. "6. The Politics of Identification: 'Holocaust' and West German Drama." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 94-114.*

Kaufman, Geoff F., Lisa K. Libby. "Changing Beliefs and Behavior Through Experience-Taking." Journal of Personality and Social Psychology 26 March 2012. doi: 10.1037/a0027525

Koven, Michèle. "20. Narrative and Cultural Identities: Performing and Aligning with Figures of Personhood." In The Handbook of Narrative Analysis. Ed. Anna De Fina and Alexandra Georgakopoulou. Chichester: Wiley, 2015. 388-407.*

Luquet, Pierre. "Les identifications précoces dans la structure du Moi." Revue Française de Psychologie 26 (special issue, 1962): 77-309.

Machado, A. El sujeto en la pantalla: La aventura del espectador, del deseo a la acción. Barcelona: Gedisa, 2009.

Mateos-Aparicio Martín-Albo, Ángel, and Eduardo de Gregorio Godeo, eds. Culture and Power: Identity and Identification. Newcastle-upon-Tyne: Cambridge Scholars, 2011.*

Metz, Christian. Le Signifiant imaginaire. Paris: UGE, 1977.

_____. The Imaginary Signifier: Psychoanalysis and the Cinema. Trans. Celia Britton, Anwyl Williams and Alfred Guzzett. Bloomington: Indiana UP, 1977.

_____. Psicoanálisis y cine: El significante imaginario. Trans. Josep Elías. Barcelona: G. Gili, 1979.

_____. From The Imaginary Signifier ("Identification, Mirror"). 1975. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 800-17.* (Fetishism, etc.).

Miller, Jacques-Alain. "Suture (Elements of the Logic of the Signifier)." Screen 18.4 (1977-8): 24-34.

Oudart, Jean-Pierre. "Cinema and Suture." Screen 18.4 (1977-8): 35-47.



Plasa, Carl. Textual Politics from Slavery to Postcolonialism: Race and Identification. Houndmills: Macmillan, 1999.

Prieto-Arranz, José Igor. Rev. of Mapping Identity and Identification Processes, ed. Eduardo de Gregorio-Godeo and Ángel Mateos-Aparicio. Atlantis 37.1 (June 2015): 227-32.*

Roche Polo, Sara. "Identification and the Figure of the Monster in Psycho (1960)." TFG Dpto. de Filología Inglesa y Alemana, U de Zaragoza, 2016.

Sestir, Mark, and Melanie C. Green. "You are Who you Watch: Identification and Transportation Effects on Temporary Self-concept." Social Influence 5 (2010): 272-288.

Shibutani, Tamotsu. "Reference Groups as Perspectives." American Journal of Sociology 60 (1955): 562-69.

Turner, Graeme. Film as Social Practice. London: Routledge, 1988.



Wilson, Tony. "Mechanisms of Identification in Film and Television." In Wilson,Watching Television: Hermeneutics, Reception and Popular Culture. Cambridge: Polity Press, 1993. 126-52.*

See also Immersion; Identity.

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